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“Bumpin’ Jeezy first album, lookin’ distracted/Speakin’ language only we know, you think it’s an accent/The windows roll down, all I see is a hand pass it/Hotboxin’ like George Foreman grillin’ the masses of the workin’ world/We pulled up on a bunch of workin’ girls and asked them what they workin’ with/Look at me, I got the blunt in my mouth/Usually I’m drug-free, but sh*t, I’m with the homies” “All my life I want money and power/Respect my mind or die from lead shower/I pray my d**k get big as the Eiffel Tower/So I can f**k the world for seventy-two hours/Goddamn I feel amazin’, damn I’m in the Matrix/My mind is livin’ on cloud nine and this 9 is never on vacation/Startup that Maserati and – vroom-vroom! – I’m racin’/Poppin’ pills in the lobby and I pray they don’t find her naked” “So now I’m down Rosecrans in a Caravan/Passin’ Alameda, my gas meter in need of a pump, I got enough to get me through the traffic jam/At least I hope ’cause my pockets broke as a promise, man/I’m thinkin’ about that sex/Thinkin’ about her thighs or maybe kissin’ on her neck, or maybe what position’s next/Sent a picture of her titties blowin’ up my texts/I looked at ’em and almost ran my front bumper into Corvette”
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In celebration of its five year anniversary, VIBE dissected Kendrick Lamar’s iconic debut and highlighted 20 of the most captivating and impactful lyrics that good kid, m.A.A.d city has to offer. From carefree rhyme spills (“Backseat Freestyle,” “Money Trees”) to reflective moments of introspect (“Good Kid, Bi**h, Don’t Kill My Vibe”) and vivid accounts of his youth “(Art of Peer Pressure,” “Sing About Me, I’m Dying of Thirst”), good kid, m.A.A.d city gives a look inside the sprawling psyche of Kendrick Lamar and gives listeners a slice of his life and times. When all was said and done, Kendrick would not only live up to the hype, but exceed expectations, delivering an album that was hailed as an instant classic and reinvigorated rap fans hungry for a messiah with all of the tools to become one of the greatest of all-time. Dre, who inked him to a contract with Aftermath Records through Top Dawg Entertainment, Kendrick had the weight of the world on his shoulders heading into the release of good kid, m.A.A.d city. His profile among tastemakers would increase with the release of 2010’s Overly.Dedicated, but it wasn’t until Section 80 arrived in 2011 that his status as the savior of the West Coast would become apparent.
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After scrapping his original rap name, K-Dot, and adopting his government name as his rap moniker, Kendrick Lamar unleashed his self-tiled EP on the eve of 2010, which would receive critical acclaim but fly under the radar. Released on October 22, 2012, g ood kid, m.A.A.d city may have been Kendrick’s introduction to casual rap fans and the mainstream music world at large, but it was also the culmination of a nearly three-year period of him building himself from a relative unknown into the most coveted prospect in rap. One of the more recent additions to that list is Kendrick Lamar, rap’s current preeminent lyricist and resident poet laureate.